Manhã cinzenta, fragments in sequence: Considerations about the morning that did not end.

Art and politics, from contemporary studies, are seen as inseparable, and take place on the same points: in form and / or content, or both. In this sense, we propose the analysis of the medium-length film Manhã cinzenta, by Olney São Paulo, produced in 1969, which is one of the most significant film...

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Bibliographic Details
Main Authors: Antonia Cristina de Alencar Pires, Filipe Schettini, Gustavo Cesário de Souza Tanus
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2017-12-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/17514