Specchiarsi nello schermo. Specchio e cinema come "metafore identitarie" ne La glace à trois faces di Jean Epstein
The present study – starting from the analysis of La glace à trois faces (A three-sided mirror, 1927) by Jean Epstein and from several theoretical writings of the same filmmaker – aims to investigate the original function that the French author recognized the camera: not at all a simple mirror of...
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| Format: | Article |
| Language: | English |
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Università di Parma
2014-07-01
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| Series: | Ricerche di S/Confine |
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| Online Access: | http://www.ricerchedisconfine.info/V-1/LEPRATTO.htm |