Artistic Freedom under the Auspices of the Institution – the example of the Student Centre Gallery in the period between the end of the 1960s and the beginning of the 1970s
The author discusses the political and social context that made progressive and critical art practices possible in the communist Yugoslavia at the turbulent end of the 1960s concentrating on the example of Student Center and SC Gallery in Zagreb, one of the most important venues for the beginnings o...
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| Format: | Article |
| Language: | English |
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Università di Parma
2013-12-01
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| Series: | Ricerche di S/Confine |
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| Online Access: | http://www.ricerchedisconfine.info/dossier-2/KIS.htm |