The Panacousticon: By Way of Echo to Freddie Rokem
The impulse for this essay came about as a direct reaction to reading Freddie Rokem’s contribution in Volume 1 of this journal. Whereas Rokem refers to eavesdropping scenes in plays and philosophical discourse, I shall examine this act within the context of an acoustic mechanical theatre invented by...
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| Format: | Article |
| Language: | English |
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Performance Philosophy
2016-07-01
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| Series: | Performance Philosophy |
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| Online Access: | https://www.performancephilosophy.org/journal/article/view/79 |