Krzysztof Wodiczko’s "Xenological Instruments", an Equipment for a City of Strangers: Urban Spaces and De-Alienation of the Immigrant
The article considers how the public art of Krzysztof Wodiczko’s acts as part of the discourse of political intervention in the urban space of marginalized people through technological and artistic media.The analysis of his “Xenological Instruments” designed in the 1990s - and in particular their la...
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| Format: | Article |
| Language: | English |
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University of Bologna
2018-12-01
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| Series: | Cinergie |
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| Online Access: | https://cinergie.unibo.it/article/view/8319 |