"Because No One Can Seize me from Behind": Sir Christopher Hatton's Double Portrait and Elizabethan Textual Paintings
Many researchers have emphasised the special use of inscriptions and texts in Tudor paintings. Especially in Elizabethan times, emblematic images emerge and contain texts which present riddles to their audience, address an implicit or explicit beholder, and also give information about their own fun...
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| Format: | Article |
| Language: | English |
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Athens Institute for Education and Research
2021-10-01
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| Series: | Athens Journal of Humanities & Arts |
| Online Access: | https://www.athensjournals.gr/humanities/2021-8-4-3-Minnigerode.pdf |