Beyond Gombrich: the recrudescence of visual semiotics
Gombrich’s semiological project draws its theoretical and methodical coherence from the direction toward sematology taken by Karl Bühler and his school (Popper and Lorenz). His visual studies, on art in particular, have focused more on the utterance dimension – the iconological ‘lexicon’, the ‘etymo...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2011-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | http://arthistoriography.files.wordpress.com/2011/12/fabbri1.pdf |