A revisão notacional da <i>Sequenza I</i> para flauta solo de Berio e suas implicações interpretativas
Luciano Berio wrote, between 1958 and 1996, thirteen pieces for different solo instruments, each one of them entitled Sequenza, in which one of the purposes was to create, particularly in the monodic instruments, a polyphonic mode of listening by the suggestion of implicit counterpoint. The purpose...
| Main Authors: | , |
|---|---|
| Format: | Article |
| Language: | Portuguese |
| Published: |
Associação Nacional de Pesquisa e Pós-Graduação em Música
2007-12-01
|
| Series: | Opus |
| Subjects: | |
| Online Access: | http://www.anppom.com.br/revista/index.php/opus/article/view/306 |