Jean Rhys’s Smile Please: Re/De constructing identity through autobiography and photography
Smile Please is puzzling in many regards: because it was unfinished, partly dictated and because it presents an odd assemblage of fragments barely revised and of a photo album which stands as a kind of hinge between the revised part and the unfinished fragments. The purpose of this article is to con...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2018-03-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/4364 |