Transnationality and transitionality: Sandra Kogut’s The Hungarian Passport (2001)
This article examines Sandra Kogut’s The Hungarian Passport (2001) in the light of recent theoretical debates on diasporic and postcolonial filmmaking. It focuses on how Kogut’s displacement—both as the granddaughter of Jewish refugees and a foreigner in France—permeates the structure of the documen...
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| Format: | Article |
| Language: | English |
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University College Cork
2011-08-01
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| Series: | Alphaville: Journal of Film and Screen Media |
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| Online Access: | http://www.alphavillejournal.com/Issue 1/ArticlePinazza.html |