Hiper-realidade e hibridação no cinema contemporâneo
This essay intends to analyze three moments in which two aesthetics become hybrid: in the short Como se morre no cinema (Luelane Correa, 2001), a rereading of the “hunger aesthetics” in postmodernist version; in the feature film Ladrões de sabonete (Maurizio Nichetti, 1989), a counterpoint between n...
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| Format: | Article |
| Language: | English |
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Universidade de São Paulo
2005-12-01
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| Series: | Significação: Revista de Cultura Audiovisual |
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| Online Access: | http://www.revistas.usp.br/significacao/article/view/90554 |