Le rejet de la maniera italienne : l’exemple des décors de Charles de La Fosse (1636-1716)

Charles de La Fosse, in the length of his career and the diversity of his patrons, is a very interesting example of French artists’ gradual autonomy in the Italian practice of the “grand décor”. The 1666 founding of the Académie de France in Rome placed the French in the midst of some of the greates...

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Bibliographic Details
Main Author: Moana Weil-Curiel
Format: Article
Language:English
Published: Centre de Recherche du Château de Versailles 2006-03-01
Series:Bulletin du Centre de Recherche du Château de Versailles
Subjects:
Online Access:http://journals.openedition.org/crcv/15490