Sindrome cinese. Benjamin e la soglia auratica dell’immagine
In the first half of the Thirties Walter Benjamin offers two radically different interpretations of the legend of the Chinese painter who disappears in his own painting after having trespassed the threshold dividing the representative space of the image from the actual space of reality: in Berlin Ch...
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| Format: | Article |
| Language: | English |
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Rosenberg & Sellier
2013-03-01
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| Series: | Rivista di Estetica |
| Online Access: | http://journals.openedition.org/estetica/1615 |