A cinema of presence and proximity: Gunvor Nelson's collage films and the aesthetics of the signaletic material before the electronic signal
This essay argues for the importance of an intersubjective and impure film theory in which the signal and the signaletic is considered as figures for approaching film. This in order to make the argument that the signaletic mode indeed enables a novel perspective on moving image history. The aestheti...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Taylor & Francis Group
2012-06-01
|
| Series: | Journal of Aesthetics & Culture |
| Subjects: | |
| Online Access: | http://www.aestheticsandculture.net/index.php/jac/article/view/18150/22813 |