Positivism, Impressionism and Magic: modifying the modern canon in America and France from the 1940s
This article narrates for the first time the competing views over Impressionism in America and France in the 1940s and 1950s, between modernist art history led by Clement Greenberg, on the one hand, and Surrealism led by André Breton, on the other. It argues that the sustained critique of Surrealism...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2017-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2017/11/parkinson.pdf |