Pour un emboîtement médiatique et méthodologique
Two of Lorenzo Lotto’s paintings, Christ Taking Leave of His Mother, with Elisabetta Rota (1521) and the Portrait of Fra Gregorio Belo (1547), are interpreted as theoretical objects according to the definition of this concept by Hubert Damisch. The compositional structure and iconography of these pa...
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| Format: | Article |
| Language: | fra |
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Centre d´Histoire et Théorie des Arts
2014-01-01
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| Series: | Images Re-Vues |
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| Online Access: | http://journals.openedition.org/imagesrevues/3108 |