Ubiquitous Motor Cognition in Musical Experience: Open Peer Review of Jacques Launay’s “Musical Sounds, Motor Resonance, and Detectable Agency”

Motor cognition, defined as the capacity to conceive, plan, control, perceive, and imagine body motion, is here seen as a ubiquitous element in music: music is produced by body motion, people often move in various ways when listening to music, and images of body motion seem to be integral to mental...

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Bibliographic Details
Main Author: Rolf Inge Godoy
Format: Article
Language:English
Published: The Ohio State University Libraries 2015-09-01
Series:Empirical Musicology Review
Subjects:
Online Access:https://doi.org/10.18061/emr.v10i1-2.4583