‘What could have been and never was: the intellectual context of Clement Greenberg’s “Byzantine Parallels”
In its sustained analysis of pre-modern art outside the context of an exhibition, ‘Byzantine Parallels’ is an anomalous text in Clement Greenberg’s published oeuvre. The purpose of Greenberg’s essay comes into higher relief when examined against the backdrop of his unpublished and unrealized body of...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2018-06-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2018/05/batario.pdf |