De la porte de Brandebourg à La Havane : Wilder, Hitchcock et l’héritage révolutionnaire
Billy Wilder’s One, Two, Three (1961) and Alfred Hitchcock’s Topaz (1969) were not successful when released. This essay argues that in spite of this lack of critical acclaim, they are worth revisiting today: their respective plots—the former, farcical, the latter, rather nebulous—dissimulate subtle...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2019-09-01
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| Series: | Transatlantica : Revue d'Études Américaines |
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| Online Access: | http://journals.openedition.org/transatlantica/11864 |