The Principles of Counterpoint According to Andreas Ornithoparchus in Musice active micrologus (1517): Tradition, Comments and Translation
This study consists of the commented translation of the “principles of counterpoint” present in the fourth book of Musice active micrologus (1517) by Andreas Ornithoparchus. As a practical music treatise inserted in the context of Lateinschule, this source is a carefully compiled “compendium” from t...
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| Format: | Article |
| Language: | Portuguese |
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Associação Nacional de Pesquisa e Pós-Graduação em Música
2018-11-01
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| Series: | Opus |
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| Online Access: | https://www.anppom.com.br/revista/index.php/opus/article/view/606 |