Identities aside and at the borders. Frontier and maze in Arraianos (Eloi Enciso, 2012)
The film studied here, Arraianos (Eloi Enciso, 2012), runs around a crossroad where the fictional and documentary converge, where a strong anti-naturalistic representation of a space and the human group that inhabits it are compared, and a willingness to visual inquiry into that space where traces o...
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| Format: | Article |
| Language: | English |
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Ediciones Universidad de Salamanca
2015-12-01
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| Series: | Fonseca: Journal of Communication |
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| Online Access: | http://revistas.usal.es/index.php/2172-9077/article/view/13439 |