Bridging the Absence: Jonas Mekas’s Hybrid Cinema
In this essay I will focus on Jonas Mekas’s ‘diary films’ such as Walden (1969), Reminiscences of a Journey to Lithuania (1972), and Lost Lost Lost (1975), interpreting them as a trilogy that constitutes one of the most seminal expressions of Laura Marks’s theoretical notion of “hybrid cinema” or “e...
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| Format: | Article |
| Language: | English |
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Department of Foreign Languages and Literatures at the University of Verona
2021-06-01
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| Series: | Iperstoria |
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| Online Access: | https://iperstoria.it/article/view/997 |