‘China’ on Display for European Audiences? The Making of an Early Travelling Exhibition of Contemporary Chinese Art: China Avantgarde (Berlin/1993)
Exhibitions have always been at the heart of the modern art world. They are contested sites, where the joint forces of the art objects, their social agents, and institutional spaces temporarily intersect and provide a visual arrangement to specific audiences, whose interpretations feed back into the...
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| Format: | Article |
| Language: | English |
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Ruprecht-Karls-Universität Heidelberg
2011-12-01
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| Series: | Transcultural Studies |
| Online Access: | https://heiup.uni-heidelberg.de/journals/index.php/transcultural/article/view/9129 |