The “Mostra del Quarantennio” and the Canon of Modern Art at the Venice Biennale in the Interwar Period
In 1935 the Venice Biennale organized an atypical exhibition commemorating its 40th anniversary. The “Mostra dei Quarant’anni” was mostly devoted to art from the Triveneto. Yet four rooms showed works by European artists who had exhibited in the Biennale, and were part of the collections of the Gall...
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| Format: | Article |
| Language: | English |
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eum edizioni università di macerata
2016-12-01
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| Series: | Il Capitale Culturale: Studies on the Value of Cultural Heritage |
| Online Access: | http://riviste.unimc.it/index.php/cap-cult/article/view/1387 |