Benjamin, Adorno e la “fisiognomica”
This study points out the methodological centrality assumed by the notion of “physiognomy”, both in Benjamin and in Adorno, namely the idea that the forms of the works of art, and generally those of the visual phenomena, are direct “expression”, in a micro-monadological way, of an historical-social...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2012-05-01
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| Series: | Aisthesis |
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| Online Access: | http://www.fupress.net/index.php/aisthesis/article/view/11019 |