‘VENETIAN TEXT’ AND AESTHETICS OF REFLECTIONS IN PAUL SCHRADER’S ‘THE COMFORT OF STRANGERS’ BASED ON THE NOVEL BY IAN MсEWAN
The paper addresses aesthetics of reflections in the film adaptation of Ian McEwan’s novel The Comfort of Strangers by the director and film theorist Paul Schrader. First, it argues the so-called ‘Venetian text’ to be extremely potent for the ‘transcendental style’ glimmering, transgression, and ref...
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| Format: | Article |
| Language: | English |
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Perm State University
2018-12-01
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| Series: | Vestnik Permskogo universiteta: Rossijskaâ i zarubežnaâ filologiâ |
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| Online Access: | http://press.psu.ru/index.php/philology/article/view/2029 |