Iconomy of the derivative image: Effacing the visual currency in Société Réaliste’s THE FOUNTAINHEAD
This article discusses the experimental film THE FOUNTAINHEAD (2010) by the Parisian artist cooperative Société Réaliste, originally exhibited at Jeu de Paume in Paris. The film reworks the 1949 film of the same name by King Vidor (itself based on a novel by Ayn Rand) by digitally erasing the actors...
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| Format: | Article |
| Language: | English |
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Amsterdam University Press
2019-01-01
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| Series: | NECSUS : European journal of media studies |
| Online Access: | https://necsus-ejms.org/iconomy-of-the-derivative-image-effacing-the-visual-currency-in-societe-realistes-the-fountainhead/ |