Iconomy of the derivative image: Effacing the visual currency in Société Réaliste’s THE FOUNTAINHEAD
This article discusses the experimental film THE FOUNTAINHEAD (2010) by the Parisian artist cooperative Société Réaliste, originally exhibited at Jeu de Paume in Paris. The film reworks the 1949 film of the same name by King Vidor (itself based on a novel by Ayn Rand) by digitally erasing the actors...
Main Author: | Calum Watt |
---|---|
Format: | Article |
Language: | English |
Published: |
Amsterdam University Press
2019-01-01
|
Series: | NECSUS : European journal of media studies |
Online Access: | https://necsus-ejms.org/iconomy-of-the-derivative-image-effacing-the-visual-currency-in-societe-realistes-the-fountainhead/ |
Similar Items
-
The fountainhead of the river of time
by: Van Wijk, Brendan
Published: (2009) -
The fountainhead of the river of time
by: Van Wijk, Brendan
Published: (2009) -
Teachers as Fountainheads of Curriculum Making: Challenges and Possibilities
by: Julian Kitchen, et al.
Published: (2011-05-01) -
The fountainhead of innovation health : a conceptualization & investigation
by: Glassér, Charlotte
Published: (2010) -
Study of wood-decay fungi in the fountainhead of Huisun Experimental Forest
by: Hsu, Hsi-Shih, et al.
Published: (1997)