Representaciones espaciales, crítica social y contracultura en la película brasileña Sagrada família (1970)
Sylvio Lanna’s Sagrada família (1970) is a film that the historiography of the Brazilian cinema inserts in the chain of production known as Marginal Cinema. The film proposes a cartography that creates a representation on two distinct spaces of the Brazilian territory (some cities of the State of Mi...
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| Format: | Article |
| Language: | English |
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Centre de Recherches sur les Mondes Américains
2019-06-01
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| Series: | Nuevo mundo - Mundos Nuevos |
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| Online Access: | http://journals.openedition.org/nuevomundo/76397 |