Image Pragmatics and Film as a Lived Practice in the Documentary Work of Hani Susumu and Tsuchimoto Noriaki
This paper focuses on two discrete bodies of work, Hani Susumu’s films of the late 1950s and Tsuchimoto Noriaki’s Minamata documentaries of the early 1970s, to trace the emergence of the cinéma vérité mode of participant-observer, small-crew documentary...
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| Format: | Article |
| Language: | English |
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MDPI AG
2019-03-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/8/2/41 |