Thomas Shadwell’s the Virtuoso as an Assemblage Laboratory. A View from Installation Art
The contemporary landscape of performing arts becomes more and more populated by hybrid genres or “artistic installations” (Rebentisch) which fuse traditional artistic, theatrical and performance practices with scientific procedures, political activism and designing new technologies (e.g. bioart, te...
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| Format: | Article |
| Language: | English |
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Sciendo
2017-12-01
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| Series: | Meno Istorija ir Kritika |
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| Online Access: | http://www.degruyter.com/view/j/mik.2017.13.issue-1/mik-2017-0008/mik-2017-0008.xml?format=INT |