Phantoming the Subject: Diderot, LacoueLabarthe and the actor’s paradox
This essay takes Diderot’s claim that the actor is everything and nothing at the same time as the starting point to rethink the formation of the self. Going beyond Diderot’s paradox as a theory of acting, this article argues in favor of a deconstructive analysis of the actor’s mimetic practice, put...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2020-06-01
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| Series: | Revista Brasileira de Estudos da Presença |
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| Online Access: | https://www.seer.ufrgs.br/presenca/article/view/92334 |