‘The rest is silence: the senses of Roger Fry’s endings’
This paper explores the endings found in some of Roger Fry writings, especially the monograph Cézanne: A Study of His Development (1927) and the essay ‘Art History as an Academic Study’ (1933). In both, Fry invokes silence. In the former, he suggests a fundamental mismatch between language and visua...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2013-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | http://arthistoriography.files.wordpress.com/2013/12/harvey.pdf |