Gestural Intermediality in Jean-Luc Godard’s First Name: Carmen (1983)
Although the intermediality of Jean-Luc Godard’s films of the 1980s has been extensively analysed, especially the tableaux vivants in Passion (1982), little has been said on the intermedial dimension of gesture in the director’s work of this period. The article investigates how the gestural flows in...
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| Format: | Article |
| Language: | English |
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Sciendo
2018-10-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2018-0007 |