Film Costume as a Visual Narrative Element; Defining the Abstract Emotions of the Film Viewer via Plutchik’s Wheel of Emotions
This research is an attempt to try to define the semiotic elements of film costumes that result with certain final feelings of the viewer. Looking through the semiotic theory of both Roland Barthes and Walter Benjamin and the specifics of (theatre and) film costume as a means of influencing the view...
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Format: | Article |
Language: | English |
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Seniko studio Ltd
2020-06-01
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Series: | Textile & Leather Review |
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Online Access: | http://www.textile-leather.com/tlr-3-2-2020-vojkovic/ |