La contrainte comme artifice sur la scène anglaise contemporaine : Tom Stoppard, Martin Crimp, et Caryl Churchill
Among the most innovating experimental dramaturgies of this new millenium, constrained (verbatim or post-wittgensteinian) theatre ranks first. To opt for the artifice of constrained writing for the stage is the way that Martin Crimp or Caryl Churchill have elected, after Tom Stoppard, to confess the...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2009-12-01
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| Series: | Sillages Critiques |
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| Online Access: | http://journals.openedition.org/sillagescritiques/1877 |