Visual Composition of Bodily Presence. A Phenomenological Approach to Paul Thomas Anderson’s The Master
The description and interpretation of the visual composition of a film is crucial in understanding the effects of moving images and their specific role in the contemporary context of intermediality. The phenomenological approach, based on the precise depiction of the lived perceptual experience and...
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| Format: | Article |
| Language: | English |
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Sciendo
2015-12-01
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| Series: | Acta Universitatis Sapientiae: Film and Media Studies |
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| Online Access: | https://doi.org/10.1515/ausfm-2015-0018 |