„Mitglied (kein Amt, kein Rang)“ - Christian Schad im Nationalsozialismus. Ein neuer Blick auf Eigenbild, Fremdbild und Quellen
Christian Schad (1894–1982) is regarded as one of the most important representatives of New Objectivity (Neue Sachlichkeit) in Germany and best known as a painter of the Berlin society during the Weimar Republic. Research, art criticism and exhibitions have long classified him as an artist who neith...
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| Format: | Article |
| Language: | deu |
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International Association of Research Institutes in the History of Art (RIHA)
2019-06-01
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| Series: | RIHA Journal |
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| Online Access: | https://www.riha-journal.org/articles/2019/0210-kess |