Programme Instrumental Theory as a Principle of Thinking of the Performer (The Case of Musical Compositions for the Solo Flute of Chinese Composers of the Twentieth Century)
The aim of the paper is concerned with the programme instrumental theory in the flute art as a principle of thinking of the performer that is embodied in composer’s attitude toward the flute and the comprehension of timbre possibilities of the flute in single works. Research methodology. The offered...
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| Format: | Article |
| Language: | English |
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Kharkiv State Academy of Culture
2019-03-01
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| Series: | Культура України |
| Online Access: | http://ku-khsac.in.ua/article/view/159290 |