Velázquez y la invención: mimesis y anagnórisis entre Italia y España (c. 1618-1630)
This paper aims to examine some examples of Diego Velázquez’s oeuvre that could be interpreted as genre violations. From a metapictorial point of view, his Sevillian bodegones will be elucidated neither as “pictures of everyday life” nor as polysemic, emblem-like images, but rather as mimetic “inven...
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| Format: | Article |
| Language: | English |
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Universidad de Los Andes
2018-01-01
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| Series: | Hart |
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| Online Access: | https://revistas.uniandes.edu.co/doi/full/10.25025/hart02.2018.02 |