'Theorizing in Narrative Form': Premonitions of Orientalism and Racist Love in Bing Xin's 'The Photograph'
This article makes a case for a new intersection between Chinese writer Bing Xin, Orientalist critique, and Asian American literary criticism. Bing Xin's 'The Photograph' (1934) anticipates the theoretical insights later articulated by postcolonialist and Asian American scholars. The...
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| Format: | Article |
| Language: | English |
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Bath Spa University
2012-11-01
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| Series: | Transnational Literature |
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| Online Access: | http://dspace.flinders.edu.au/xmlui/bitstream/2328/26429/1/bitstream |