Sets and the City: Serial Analysis, Parisian Reception, and Pierre Boulez's Structures 1a
In April 1952, subscribers to the latest edition of the Paris-based journal La Revue musicale could, for the first time, have read the following declaration, separated from the main text by asterisks: * ** Affirmons, à notre tour, que tout musicien qui n' a pas ressenti - nous ne d...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2003-09-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5028 |