About definitions of expressionism: the fantastic genre films of Weimar Republic
The paper proposes a brief analysis of the movies “Die Puppe” (1919), “Orlacs Haende” (1924), “Das Waxfigurenncabinett” (1924) and, especially, “Schatten” (1923), held in Weimar Republic, putting in question the main definitions of the so-called German expressionist cinema. It suggests the possibili...
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| Format: | Article |
| Language: | English |
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Pontíficia Universidade Católica de São Paulo
2010-07-01
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| Series: | Galáxia |
| Online Access: | https://revistas.pucsp.br/galaxia/article/view/2608 |