“Mujeres de fuego”: ritmos “negros”, transgresión y modernidad en el teatro lírico de la Edad de Plata

<p>During the “Edad de Plata” (Silver Age), the concept of musical modernity shouldn’t simply be identified with the “new music” certain composers, critics and intellectuals put forth as a way of approaching a European perspective. This article aims to demonstrate that the installation of jazz...

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Bibliographic Details
Main Author: Celsa Alonso
Format: Article
Language:Spanish
Published: Universidad Complutense de Madrid 2009-01-01
Series:Cuadernos de Música Iberoamericana
Subjects:
Online Access:http://147.96.1.34/index.php/CMIB/article/view/61132