Silence and Self-expression in Charlotte Brontë’s Shirley: An Application of John Searle’s Speech Acts Theory

Despite the “comedic” happy ending of Brontë’s Shirley (1849), its heroine’s taciturn incommunicativeness towards the end of the novel in contrast to her lively former derring-do, has naturally given rise to various speculations about the nature of her transformation. The fact that many of the final...

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Bibliographic Details
Main Authors: Sara KHAZAI, Maryam S. BEYAD, Mahmoud R.G. SABBAGH
Format: Article
Language:English
Published: University of Osijek 2018-12-01
Series:Anafora
Subjects:
Online Access:http://www.ffos.unios.hr/anafora/anafora-42-1-shirley