Una trama escondida: la OEA y las participaciones latinoamericanas en las primeras cinco Bienales de São Paulo
This paper talks about the intense collaboration that the São Paulo Biennial, in its first five editions, maintained with the Visual Arts Section of the Pan American Union, directed in Washington by the Cuban critic José Gómez Sicre. The specific object of this collaboration was to control the qua...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Centro Argentino de Investigadores de Arte
2015-06-01
|
| Series: | Caiana: Revista de Historia del Arte y Cultura Visual |
| Subjects: | |
| Online Access: | http://caiana.caia.org.ar/template/caiana.php?pag=articles/article_2.php&obj=179&vol=6 |