Sinophone Queerness and Female Auteurship in Zero Chou’s Drifting Flowers
This article investigates the third instalment of the Taiwanese director Zero Chou’s tongzhi trilogy. It suggests that her 2009 film Drifting Flowers defies the “global gay” narratives of identity formation whilst remaining rooted in Taiwan’s cultural and geographical space. The article argues that...
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| Format: | Article |
| Language: | English |
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The International Academic Forum
2016-06-01
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| Series: | IAFOR Journal of Media, Communication & Film |
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| Online Access: | https://iafor.org/journal/iafor-journal-of-media-communication-and-film/volume-3-issue-1/article-3/ |