Sinophone Queerness and Female Auteurship in Zero Chou’s Drifting Flowers
This article investigates the third instalment of the Taiwanese director Zero Chou’s tongzhi trilogy. It suggests that her 2009 film Drifting Flowers defies the “global gay” narratives of identity formation whilst remaining rooted in Taiwan’s cultural and geographical space. The article argues that...
Main Author: | Zoran Lee Pecic |
---|---|
Format: | Article |
Language: | English |
Published: |
The International Academic Forum
2016-06-01
|
Series: | IAFOR Journal of Media, Communication & Film |
Subjects: | |
Online Access: | https://iafor.org/journal/iafor-journal-of-media-communication-and-film/volume-3-issue-1/article-3/ |
Similar Items
-
Nell’etere: All About Lily Chou-Chou tra transmedialità e nuovo statuto del cinema
by: Stefano Locati
Published: (2016-04-01) -
Singing Sinophone : a case study of Teresa Teng, Leehom Wang, and Jay Chou
by: Lee, Lorin Ann
Published: (2012) -
Queering/Querying Cosmopolitanism: Queer Spaces in Shanghai
by: Hongwei Bao
Published: (2011-01-01) -
Queering/Querying Cosmopolitanism: Queer Spaces in Shanghai
by: Hongwei Bao
Published: (2012-01-01) -
INFÂNCIAS, CORPOREIDADES E SEXUALIDADES EM TOMBOY
by: Vanessa Paula Ponte
Published: (2020-09-01)