Mutability as Counter-Plot: Apocalypse, Time, and Schematic Imagination in Don DeLillo’s The Body Artist
This article begins by situating Don DeLillo’s late writing in the critical context proceeding from Romanticism, and establishes an analogy between Keats’s late poem, “The Fall of Hyperion,” and the narrative dynamic that underwrites several of the novelist’s most recent works. It then takes up a mo...
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| Format: | Article |
| Language: | English |
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SAES
2017-04-01
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| Series: | Angles |
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| Online Access: | http://journals.openedition.org/angles/1474 |