Between images and fromages: Lyotard on Painting’s Critical Force
In this essay I want to focus on Jean-François Lyotard’s interpretation of Marcel Duchamp’s “The Large Glass” which I confront with Duchamp’s idea of pictorial nominalism. I invoke the main thesis from Lyotard’s important essay “Freud selon Cézanne,” to draw a line between Lyotard’s analysis of arti...
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| Format: | Article |
| Language: | English |
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University of Warsaw
2019-12-01
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| Series: | Eidos. A Journal for Philosophy of Culture |
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| Online Access: | http://eidos.uw.edu.pl/between-images-and-fromages-lyotard-on-paintings-critical-force/ |